Exhibition «Paul Éluard, Gérald Cramer, Joan Miró | À toute épreuve»

Exhibition, extended from 19 May to 30 August 2020

Opening hours 
Tuesday to Sunday, from 2 pm – 6 pm

On reservation: billetterie@fondation-janmichalski.ch

Thank you to choose the day of your visit and the hour: at 2pm, 3pm, 4pm or 5pm.

Maximum 15 people in the exhibition room


The collaborative project that brought together the poet Paul Éluard (1895–1952), the publisher Gérald Cramer (1916–1991) and the artist Joan Miró (1893–1983) for the 1958 publication of À toute épreuve produced one of the finest artist’s books of the 20th century.

Éluard wrote the collection’s poems between 1929 and 1930, when Gala, whom he had married in 1917, was growing distant and began an affair with Salvador Dalí. It was also at this time that the poet met Nusch (Maria Benz), who would become his second wife. The texts were published by Éditions surréalistes in 1930, but it was only in 1947, after a discussion with Gérald Cramer, that the project of publishing the poems as an artist’s book with illustrations by Joan Miró was born.

Much taken by the design of a 1914 edition of Stéphan Mallarmé’s poem Un coup de dés jamais n’abolira le hasard, Éluard spread his verses over some forty double pages of the initial layout. Cramer, who oversaw the evolving design of the book step by step, allowed the poet complete freedom in establishing the importance of the typography and its place on the page. Working from their instructions, Miró came up with the idea of making the publication a polychrome sculpture as much as a book. The artist discovered the woodcuts of Paul Gauguin at Cramer’s and, drawing inspiration from Japanese prints, decided to work with wood engraving. In all the artist did 233 woodcuts, which were carved, “sculpted,” and printed in color. With the poems they form a series of landscapes of words and images.

Miró’s letters to Cramer attest to the long hours that went into creating and printing off the woodcuts. The completed book was published in 1958. Just 130 copies were printed off and shown that same year for the first time at Galerie Berggruen in Paris.

Working with the Fundació Joan Miró, which devoted a show to him in 2017, the Jan Michalski Foundation for Writing and Literature will in turn tell the story of this major publication and artist’s book through correspondence, photographs, woodcuts, and the six conserved mock-ups of the book. Four copies of the original edition on display allow visitors to view all of the pages.

In collaboration with






Christopher Green, Fundació Joan Miró, Barcelona
Natalia Granero, the Jan Michalski Foundation, Montricher, Switzerland

Documents collection

Fundació Joan Miró, Barcelona – BGE Bibliothèque de Genève, the Gérald Cramer Archives, Geneva – Musées d’art et d’histoire, Cabinet d’arts graphiques, Geneva – the Martin Bodmer Foundation, Cologny – Stiftung Ernst Scheidegger-Archiv, Zurich – the Nicolas Ducimetière’s Collection, Geneva – Tania Grand d’Hauteville, Geneva – Patrick Cramer, Geneva

Opening hours Tuesday to Sunday, from 2 pm – 6 pm

Admission CHF 5.- (full price) ǀ CHF 3.- (students, groups, retirees, unemployed, persons with disabilities) ǀ Free to visitors under 18 and residents of Montricher
Free admission the first Sunday of each month.

On reservation: billetterie@fondation-janmichalski.ch

Thank you to choose the day of your visit and the hour: at 2pm, 3pm, 4pm or 5pm.

All areas of the Jan Michalski Foundation that are open to the public are completely accessible to people with disabilities and reduced mobility.


  • Il est demandé aux visiteurs de se désinfecter les mains et de porter un masque disponible à l’accueil. Merci de suivre les flux de circulation suivants :
  • Pour les visiteurs qui ont réservé :
    • Si vous êtes seul.e, retirez votre billet à l’accueil.
    • Si vous êtes en groupe, désignez une personne qui se rendra à l’accueil pour retirer vos billets.
  • Pour les visiteurs qui n’ont pas réservé :
    • Si vous êtes seul.e, renseignez-vous à l’accueil sur les places disponibles.
    • Si vous êtes en groupe, désignez une personne qui se rendra à l’accueil pour connaître les disponibilités.
  • Veuillez ensuite attendre à l’extérieur. Vous serez invité.e à entrer le moment venu.
  • Les billets doivent être payés et retirés sur place. Le paiement sans contact est à privilégier.
  • Les visites commentées et les événements publics sont suspendus jusqu’à nouvel avis.